American artist Robert Henri (1865 – 1929), one of the most influential artists of the early 20th century, made the first of his three trips to California in 1914. Henri was enchanted by the light, landscape, and the people he encountered during his sojourns here—and was compelled by the cultural diversity that has come to define California. This closely focused exhibition of approximately a dozen works reveals Henri’s fascination with the nations’ growing diversity.
This exhibition showcases some of the public’s longtime favorite works from the Museum’s permanent collection, in celebration of SJMA’s forty-fifth-anniversary year. Sleight of Hand asks visitors to look carefully at the allure of style and to further explore artists’ use of mesmerizing detail and similitude.
This exhibition sets out to disrupt the status quo and show that art is anything but just an inanimate object. For its forty-fifth anniversary, SJMA invited creative movers and shakers from the realms of design, comedy, performance, music, writing, and dance to disrupt this exhibition of its permanent collection with their personal artistic responses to the art on view. Their interventions can take whatever form and be in whatever media, and in whatever scale, they so choose.
This group exhibition of contemporary portraiture explores the aesthetic, psychological, and emotional implications of the gaze in photography today. Here, the traditional view of a portrait is subverted: instead, a dynamic and ambiguous relationship between object and subject develops. The power of the gaze is blurred the moment the sitter becomes a partner in the art-making process.
City life has fascinated artists for hundreds of years. Early twentieth-century artists in the United States often depicted the physical and social realities, as well as the potential emotional disconnect, that can accompany urban density. In recent decades, artistic focus shifted to the ramifications of climate change, localism, and globalization. City Limits, City Life encourages audiences to think about urbanism in a larger context and coincides with collective efforts to enliven and transform downtown San Jose.
Two generations after the exultation of Independence and the concurrent horrors of Partition, contemporary Indian photographers reclaim and reappraise the history of colonialism in their country. These artists look closely and critically at historical Indian photography and draw on diverse sources of inspiration. They take matters of history into their own hands, redefining the iconic historical images of India and investigating the complex relationship between traditions of representation and contemporary image-making.
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